This tutorial will show you how to create volumetric fractal scenes with the help of Open Shading Language (OSL). It will take you through a process of setting up simple scenes, defining fractal scenes in shaders with OSL and optimizing render settings. By the end of the tutorial, you should be able to produce similar results. Many thanks to Juraj Tomori for this tutorial.
The scene file can downloaded here.
Let's start with a simple example to show the technique first.
Scene Set Up
In this example, we will define the rendered scene (sphere in this case, but fractals later on) in a shader, which will output density values for each shaded sample. To render volumes in specified bounds we can create a box and render it as a volume as explained in this tutorial.
- Start by creating a box with Uniform Scale set to 2. Set the volume Step Size to something larger than 0 (for example 0.1) to render the mesh as a volume.
- Create an Arnold ROP, camera and a light to view the results.
- Create a shader with Standard Volume connected to the Volume slot in the Material Output node.
- Press the Render button in the Render View pane. You should see a volumetric cube being rendered.
Now we have a boilerplate to play around with the shader, which will define our shape. The current setup outputs uniform density everywhere in our box bounds, which results in a box. Let's try something slightly more interesting - a sphere. In our case, a spherical volume can be defined as an implicit volume like this: Every point which distance to the center is smaller or equal than the sphere's radius is dense. The rest is empty. This definition could be rewritten in the following pseudo-code:
P_world is the world space position of a shaded sample and
length() returns Euclidean length of a vector. This can be translated into the following shading network. State Vector is outputting Shading Point in World-Space P and Compare node is set to Less Than or Equal than the sphere's radius.
We managed to define a shape only by using shading nodes, but we could get more control if we could define our shape programmatically - like in our pseudo-code. In fact, this can easily be done with the help of OSL. Let's try to re-create our sphere in OSL to see how our shading network will change.
First, take a quick look at OSL introduction to see how to use OSL and its current limitations. In our case the sphere shader will look like this:
sphere_shader is the name of our shader.
float sphere_radius defines the node's parameter with its default value,
output float defines the type of node's output and
P is a global variable provided by Arnold. As you can see the OSL code closely matches our pseudo code above.
Save sphere_shader.osl somewhere and set the ARNOLD_PLUGIN_PATH environment variable pointing to a folder where this shader is located. For example, you can specify it in your houdini.env file:
After you set the path to shaders, you should see it in SHOPs after restarting Houdini.
As you can see the network is much simpler now and provides us with an identical result. Note that you need to restart Houdini only if you create a new shader or you modify shader's output or input parameters. Changes to the OSL code don't require Houdini's restart and will be reflected after the next press of the Render button. If you play with the sphere's radius you might sometimes get results as in the picture below. This means that your sphere is larger than your bounding object and you need to adjust the size of the sphere or bounding object.
Now that know how to define shapes in OSL we can move on to more interesting shapes. Mandelbrot fractal is defined in a 2D complex plane, where each sample is iteratively evaluated and tested if it shoots off to infinity, or stays bounded. Mandelbulb fractal is defined in 3D space constructed by Daniel White and Paul Nylander. Mandelbrot is not
defined in 3D, but Mandelbulb results in a nice shape and is inspired by Mandelbrot. Let's create a new OSL shader and do small modifications to our scene.
Reload your Houdini scene and drop the new Mandelbulb Shader node to the shading network. Change bounding geometry from box to a sphere, so that our shape is better contained and rendering is more efficient. Create a Multiply node to increase density, since our shader outputs only 1 or 0.
Play around with the Power parameter and try Julia mode by enabling Julia enable and setting different Julia Coordinates. You can animate the parameters to create interesting animated shapes.
Emissive Mandelbulb Fractal
So far we were able to create nice shapes but they are all grey. Let's try to bring in some colors with a technique called orbit traps. The following shader has five different orbit traps. It also includes two helper functions:
Note that currently there is a limitation which enables us to have only a single output in an OSL node. To work-around it, we can output a matrix type, which consists of 16 float values (4x4 transformation matrix). To output multiple values from a single node we can pack our values in a matrix and extract them in the shading network with the following helper OSL shader.
Based on the Mandelbulb shader we can use the same indices to extract the values and use them in shading. There comes your creativity to play around with values, combine them and produce visually interesting images. In the following image, an orbit trap was used for mixing two different colors which are driving Scatter Color parameter in the Standard Volume node.
In the following image, an orbit trap was used to drive Blackbody radiation of the volume.
Fractal Quality Settings
The first option which controls the amount of detail in our volumetric scene is volume Step Size on the bounding box object. The smaller the number the more detail will be in the rendered volume. Try setting it to lower values until you don't see a difference. Setting it too low will have a negative impact on render times.
Another factor which has an impact on the render times is the size and shape of the bounding geometry. Set it as tight as possible, because unnecessarily large bounding shapes will waste rendering power on an empty space. Another option which has an impact on the refinement of the fractals is the Max Iterations parameter on our OSL
Mandelbulb nodes. Try setting it as high as visually needed, but not too high as it has quite an impact on render times.
There are also standard Arnold ROP quality settings. Note that when rendering emissive fractals it is a good idea to split the render into two passes - one for emissive lighting and one for scene lighting. This is because they will need different combinations of settings and rendering them together will be slower than rendering them separately.