Four Ai Area Lights pointing through the windows
A common method for lighting an interior is to place area lights outside of the windows pointing into the room. Care must be taken with the size and position of the lights. If the lights are too close to the window frame it can cause areas near the windows to appear bleached out (see tone mapping below). A light sample value of 3 has been used in all of the example images.
Remember that you can also combine a directional light with the quad window area lights to achieve a similar effect as the skydome light.
Ai Area light shape set to 'Quad'
With windows that contain glass, the area lights should be placed in front of the glass so that Arnold does not need to deal with glass intersections. However, if the window is oddly shaped, then placing it right behind the window, so that the entire window is covered by the quad light would be the next easier option.
Light in real life will bounce around much more in an interior scene than it would in an exterior scene, therefore, you should increase this value if you wish to get more secondary bounce lighting into the scene.
The images below show the effect of increasing the Indirect Diffuse ray depth in the Render Settings. Note that render times will linearly increase with regards to the number of bounces.
It is quite common to get noise when rendering interiors. This can either be due to lights not having enough samples or because the Gi Diffuse Rays are not high enough.
Setting Gi Diffuse Rays to zero allows us to focus our attention on the light samples. In the images below, shadow noise is clearly visible in the corner of the room. Increasing the light samples incrementally allows us to improve the shadow quality whilst keeping render times low. Increasing the lights Samples to 3 is enough to sufficiently reduce the amount of shadow noise.
Once we have fine tuned our light samples we can focus on Gi Diffuse noise. In this case increasing the Gi Diffuse samples to 5 provides a clean solution.
The example images below, compare the difference between rendering one large area light, two area lights and four area lights.
For each light Arnold is tracing nine rays (thirty-six in total with four lights), versus nine for just one light. Therefore more smaller lights will take longer to render than one large light. However, even though the number of light samples is the same (in this case three), there is more noise using just one large area light. This is more evident in the area around the bookcase.
The areas around the windows are very bright and bleached out. One way to fix this is using tone mapping (see below). The other is to use a Light Decay filter.
The 'Far Attenuation' attributes work like a normal decay, however you can specify the start and end distance. This can give you more control over how much light fills the room by setting an 'end' distance. A simple interior scene below shows the effect of changing the 'Far End' attribute of the Light Decay filter. Note the effect it has on the floor's specular reflection.
An easy way to fix the bleached out areas around the window is to 'tone map' the image using post processing software.
We could do with adding some more natural looking colored light into the room. We can do this by using a HDRI in combination with an Area light.
Decreasing the intensity of the light until it is within a normal range should be sufficient to see the effect of the HDRI. However, it can be difficult to tell if the texture map has been mapped correctly to the light. In order to better visualise the effect, we can create a reflective sphere and place it in front of the window. This way we can see the HDRI reflected in the sphere.