In this tutorial, we will cover how to convert a house scene from Revit to 3ds Max for rendering in MAXtoA. You will need to use the Scene Converter in 3ds Max to convert the materials into 3ds Max native Physical shaders, the Daylight/Exposure into a Sun Positioner and Physical Sky, and the Camera into a Physical Camera. 3ds Max Photometric lights are supported in MAXtoA and therefore will not need to be converted. This process will save us time and energy from having to convert them individually for use with MAXtoA.

Once converted, the scene will be set to use the ART renderer by default. Therefore, you will need to choose Arnold from the Render Setup. The house model ships with Revit and is free to use and share as a sample model owned by Autodesk.

The Revit project files for this tutorial can be freely downloaded here. If you are a Revit user, you can import the Revit file from within the Revit install.

Information about how to export a scene from Revit to 3ds Max can be found here.

Revit House Project

The use of Projects eliminates the need for modifying the User Paths in 3ds Max to handle every file or path you might need. It will automatically look in the .\sceneassets\images folder for any project-specific maps. The “.\” at the start of a path string means that it is relative to the project. 

Revit Scene

Information about linking a Revit file to 3ds Max can be found here.

Scene Converter

A video about using the Scene Converter can be found here.

Physical Sky

The current scene uses the Physical Sun and Sky Environment. This will need to be replaced with the Arnold Physical Sky shader.

 

Light sample noise is more visible in the shadows when using the default Samples (Quality) of 1. Increasing this value to 3 or 4 will reduce this type of noise. Bear in mind that render times will increase when increasing this value.

Rendering

Clamping Fireflies

Rendering the scene reveals some fireflies. In this situation, they are caused by the bright sun disc from the Physical Sky shader. This kind of noise is difficult to remove by simply increasing the number of samples in the Render Setup. A simple way to remove them is to use Clamping.

Fireflies caused by the Physical Sky shader

Clamping 'Max Value' set to 0.1 to reduce fireflies

A tutorial that shows ways to remove fireflies can be found here.

An alternative method for avoiding fireflies caused by the sun in the Physical Sky is to add a different Physical Sky shader to Render Setup window -> Arnold Renderer -> Environment & Background -> Background (Backplate) -> Custom Map and disable 'Enable Sun'. That way the sun will not be visible in any glossy reflective surfaces, and therefore no fireflies will be visible.

Sampling

Once we are happy with the shaders and lighting, we can progress onto adjusting the sampling for final frame rendering.

Diffuse (Gi) Sampling

We can remove noise from the indirectly lit surfaces in the scene by increasing this value. In the example images below, we can see that there is some noise in the indirectly lit roof beams in the ceiling. Increasing the number of Diffuse Samples reduces this type of noise. Note that increasing this value will increase render times. 

Camera (AA) Samples

Once we are done finished refining the light and diffuse samples we can now increase the Camera (AA) value for final frame rendering. A Camera (AA) value of 3 is suitable for test rendering. However, when we are ready for final frame rendering, we will want to increase this value. In this example scene, a value of 5 or 6 was sufficient.

Rollover image to compare 3 vs 6 Camera (AA) samples

You can modify the Preset in the Render Setup window to save your Arnold render settings.

More information about removing noise can be found here.