AOVs (Arbitrary Output Variables) provide a way to render any arbitrary shading network component into different images. For example, an artist might find it convenient to separate direct and indirect lighting contributions and later recombine them during compositing. Arnold provides built-in AOVs for outputting depth, position, and motion vectors. 

A maximum of 16 different light AOVs is supported, although a given AOV can contain a bundle of any number of lights.

Using closures as AOVs is not currently supported.

Light path expressions can be used to output light into specific AOVs.

Legacy
Denoiser
AOV Browser
AOVs
Per-Light AOVs

 

To the right of the Arnold Renderer tab in the Render Settings dialog, you should see the AOVs tab. The available AOVs for each group are shown in the left list. When you select one, it will move across to the 'Active AOVs' list, which is the set of AOVs you want to use for your render.

 


Legacy 

Maya Render View 

Mode

This allows you to enable AOVs, disable them, or specify that AOVs are only to be used in batch renders.

Render View AOV

This allows you to select an AOV channel to preview in the render view. Remember to switch back to 'beauty' afterward.

AOV Shaders

Only shaders with AOV-writing capabilities should be added to 'AOV Shaders' in AOVs.

Denoiser 

Optix Denoiser

Denoise Beauty AOV

Use the fast, GPU-powered Nvidia OptiX AI denoiser. See the System tab for the GPU device selection options. When enabled a new AOV with the _denoise postfix is available in the AOV list.

Arnold Denoiser

Output Denoising AOVs

Automatically outputs the optional AOVs (diffuse_albedo, Z, N). This should be used for denoising using Noice (Arnold denoiser), (multilayer EXR) or Kick.

A current limitation means that you must render in EXR and Merge AOVs need to be enabled.

This should also be enabled when using batch rendering with Noice.

AOV Browser 

The AOV Browser allows you to select the AOVs you want to be active for your render. You can also choose to add a custom AOV.

Either double-click or select and use the arrow buttons to move AOVs from 'Available' to 'Active'.

Arnold provides the following 'built-in' system AOVs. These AOVs are always available, no matter what shader(s) you are using.

 

  • A: Alpha.
  • AA_inv_density: Visualizes the sample density with Adaptive Sampling. Use it with a Heatmap filter.
  • ID: Random number value derived from the name of the shape. You can also add specific ID numbers via the user options string field for an object. ie 'id 1'.
  • N: Smooth normal at the shading point (in world space).
  • P: Position of the shading point (in world space).
  • Pref:  Reference position of the shading point.
  • RGBA: Beauty AOV, containing the full rendered image.
  • Z: Depth of the shading points as seen from the camera.
  • albedo: Reflectivity, the surface or volume color without lighting or shadowing.
  • background: Emission from the background and skydome lights visible to the camera.
  • coat: Coat reflection.
  • coat_albedo: Coat color without lighting or shadowing.
  • coat_direct: Coat direct lighting.
  • coat_indirect: Coat indirect lighting.
  • cputime: This layer contains the CPU time (measured in “ticks”) to evaluate the samples in the pixel.
  • diffuse: Diffuse reflection.
  • diffuse_albedo: Diffuse color without lighting or shadowing.
  • diffuse_direct: Diffuse direct lighting.
  • diffuse_indirect: Diffuse indirect light.
  • direct: Direct lighting from all surfaces and volumes.
  • emission: Lights and emissive objects directly visible from the camera.
  • indirect: Indirect light from all surfaces and volumes.
  • motionvector: 2D vector representing the motion in screen space of the shading point during the given time interval (the shutter start and shutter end of the camera). If output to an RGB format, the vector is contained in the R and G channels.
  • opacity: RGB AOV with full three-channel opacity (as opposed to single channel alpha).
  • raycount: Total number of rays traced for samples in the pixel.
  • shadow_matte: Shadows in the scene, computed as the ratio of occluded direct lighting over unoccluded direct lighting.
  • sheen: Sheen weight.
  • sheen_albedo: Sheen color without lighting or shadowing.
  • sheen_direct: Sheen direct lighting.
  • sheen_indirect: Sheen indirect lighting.
  • specular: Specular reflection.
  • specular_albedo: Specular color without lighting or shadowing.
  • specular_direct: Diffuse direct lighting.
  • specular_indirect: Diffuse indirect lighting.
  • sss: Subsurface scattering and diffuse transmission.
  • sss_albedo: SSS and diffuse transmission color without lighting or shadowing.
  • sss_direct: SSS and diffuse transmission direct lighting.
  • sss_indirect: SSS and diffuse transmission indirect lighting.
  • transmission: Specular transmission (refraction).
  • transmission_albedo: Specular transmission color without lighting or shadowing.
  • transmission_direct: Specular transmission direct lighting.
  • transmission_indirect: Specular transmission of indirect lighting.
  • volume: Volume scattering.
  • volume_z: The Z depth for the first volume contribution is output in a flat AOV.
  • volume_albedo: Volume color without lighting or shadowing.
  • volume direct: Volume scatter direct lighting.
  • volume indirect: Volume scattering indirect lighting.
  • volume opacity: RGB AOV with the full three-channel opacity for volumes only.

 

The other AOV groups correspond to the shader nodes being used (assuming those shader nodes support AOV). For example, Shadow Matte provides:

  • shadow: Direct light shadow.
  • shadow diff: A difference AOV which can be used to eliminate the shadow from the direct component.
  • shadow mask: This AOV can be used in comp to localize and tweak the shadow.

 

Other shaders used in your scene will support various other AOVs. Multiple shaders can contribute to the same AOV (for example a Standard Surface and a Lambert shader both write to the diffuse_direct AOV).

Composing the Beauty AOV

The RGBA beauty AOV can be split into smaller AOVs where each contains part of the lighting. In compositing, these AOVs can then be individually modified and added together to get the full beauty AOV.

More AOVs give more control in compositing, but also extra work to handle, and they take up more memory and disk space, especially combined with light groups.

Some example sets of additive AOVs for the full beauty AOV are:

  • direct, indirect, emission, background.
  • diffuse, specular, coat, transmission, sss, volume, emission, background.
  • diffuse_direct, diffuse_indirect, specular_direct, specular_indirect, coat, transmission, sss, volume, emission, background.

Simply adding together such AOVs is all that is needed for the beauty AOV. The albedo AOVs are not needed to reconstruct the beauty AOV but may be used for example to get just the lighting without the surface texture, by dividing diffuse by diffuse_albedo, or for denoising just the lighting while keeping the texture detail intact.

AOVs 

Beneath the AOV browser, the active AOVs that you have selected for output are listed in more detail:

Each AOV is actually represented by three nodes - the AOV node itself, plus an associated driver node and filter node.

This dialog shows you the type, driver, and filter of the chosen AOVs in drop-down menus, and the checkbox to the left allows you to control which are active. If you click on the triangle at the far right, a context menu is displayed which in addition to providing another way to remove or make an AOV active/inactive, also allows you to add an alternative output driver for each AOV (and to select the driver and filter).

 

Because the driver and filter nodes are separate to the AOV node, you can add multiple outputs for each AOV by adding extra driver nodes to that AOV node, for example allowing both EXR and JPG to be written out by the same AOV. This extra flexibility in AOV output can be really useful in some situations (maybe you want to output your beauty pass in multiple formats or using different filters – or you might have a custom output driver that you want to output to at the same time as the normal render view).

 

Note that the driver drop-downs will show the driver which is currently the selected file output type in the Common tab of Render Settings in brackets, e.g., <exr> as in the above screenshot. So, you can choose a specific driver for each AOV, or if you choose the top one from each drop-down menu, shown in angle brackets, then you are choosing to use the current default output driver. So, in the above illustration where the driver is shown as <exr>, if you went to the Common tab and altered the file output to be png, when you return to the AOV tab you'll see that all the drivers are now shown as <png>. If you don't want them to change to reflect the current default driver, select a driver name without angle brackets. Similarly, the filter selection is also shown with angle brackets if it is set to use the current default filter.

Each AOV has a node associated with it. You can use the attribute editor to examine these nodes in more detail. 

Per-Light AOVs  

Each light object has an 'AOV Light Group' attribute which can be used to write out the light contribution to a separate AOV with a corresponding name. To create a per-light AOV, you must do the following:

  1. Enter a name for the per-light AOV in the 'AOV Light Group' of the light. In this case, we have a red and a blue light in the scene and so the light groups have been named red and blue.

AOV Light Group in Arnold attributes of light

2. Create an AOV and select it to show it in the attribute editor (in this case we have used a diffuse AOV).

3. Render the scene. The AOVs should now be visible in the RenderView by selecting them in the Light Groups List.

 

Rollover image for blue Light Group

The <LightGroup> token can be used in the output filename so that Light Group AOVs tokens can be inserted in custom ways.